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Alfred Sisley Kirche von Moret oil painting


Kirche von Moret
Painting ID::  75009
Alfred Sisley
Kirche von Moret
1893 Oil on canvas 83 X 64 cm cjr

   
   
     

Alfred Sisley Themse bei Hampton Court oil painting


Themse bei Hampton Court
Painting ID::  75044
Alfred Sisley
Themse bei Hampton Court
1874 Oil on canvas 38 X 55.4 cm (14.96 X 21.81 in) cjr

   
   
     

Alfred Sisley Nussbaume bei untergehender Sonne, Anfang Oktober oil painting


Nussbaume bei untergehender Sonne, Anfang Oktober
Painting ID::  75063
Alfred Sisley
Nussbaume bei untergehender Sonne, Anfang Oktober
c. 1882 Oil on canvas 73 X 92 cm cjr

   
   
     

Alfred Sisley Moret am Loing im Regen oil painting


Moret am Loing im Regen
Painting ID::  75107
Alfred Sisley
Moret am Loing im Regen
1887 - 1888 Oil on canvas 54 X 73 cm cjr

   
   
     

Alfred Sisley uberschwemmung in Port Marly oil painting


uberschwemmung in Port Marly
Painting ID::  75876
Alfred Sisley
uberschwemmung in Port Marly
1876(1876) Oil on canvas 60 ?? 80 cm (23.6 ?? 31.5 in) cjr

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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